Ed Atkins

 
Ed Atkins: Get Life/Love’s Work, New Museum, New York, 30 June - 3 October 2021
 
Ed Atkins Ed Atkins Ed Atkins Ed Atkins Ed Atkins Ed Atkins Ed Atkins Ed Atkins Ed Atkins


 
 
Entropy of a biased coin, Cabinet, London, 3 December 2020 - 6 January 2021
 
 
Ed Atkins
Refuse
2019
Two-channel realtime 3D simulation authored in a custom version of the Unreal Engine
 
Refuse.exe is a two-channel realtime 3D simulation, authored in a custom version of the Unreal Engine: a software development environment used to make video games.
e artwork is two projections on two oors - the upper screen in the ground oor gallery, the lower screen in the basement gallery. Objects fall through the upper screen, freezing momentarily, before continuing to fall, landing in a pile on the lower screen.
Refuse.exe is not a video, it’s an app, running on a high end custom PC.
Each run-through of Refuse.exe is unique. e objects drop in the same sequence and at the same time per play through – but their movement while dropping, their landing and their accumulation di ers every time, at the whim of the physics simulated.
More information about Refuse.exe can be found in the accompanying text ree Pieces of Bread, which can be read at the following link https://cabinet.uk.com/ea-threepiecesofbread
 
 
Ed Atkins
Installation view, Entropy of a biased coin, Cabinet, London, 3 December 2020 - 6 February 2021

Ed Atkins
Installation view, Entropy of a biased coin, Cabinet, London, 3 December 2020 - 6 February 2021

Ed Atkins
Ed Atkins, Untitled, 2020, Acoustic foam, moulton and embroidery on found linen

Ed Atkins
Ed Atkins, Untitled, 2020 (detail), Acoustic foam, moulton and embroidery on found linen

Ed Atkins
Ed Atkins, Untitled, 2020, Acoustic foam, moulton and embroidery on found linen

Ed Atkins
Ed Atkins, Untitled, 2020 (detail), Acoustic foam, moulton and embroidery on found linen

Ed Atkins
Ed Atkins, Untitled, 2020, Ink and gouache on artboard

Ed Atkins
Ed Atkins, Untitled, 2020, Ink and gouache on artboard

Ed Atkins
Ed Atkins, Untitled, 2020, Ink and gouache on artboard

Ed Atkins
Installation view, Entropy of a biased coin, Cabinet, London, 3 December 2020 - 6 February 2021

Ed Atkins
Installation view, Entropy of a biased coin, Cabinet, London, 3 December 2020 - 6 February 2021

Ed Atkins
Installation view, Entropy of a biased coin, Cabinet, London, 3 December 2020 - 6 February 2021

Ed Atkins
Installation view, Entropy of a biased coin, Cabinet, London, 3 December 2020 - 6 February 2021

Ed Atkins
Installation view, Entropy of a biased coin, Cabinet, London, 3 December 2020 - 6 February 2021

Ed Atkins
Installation view, Entropy of a biased coin, Cabinet, London, 3 December 2020 - 6 February 2021

Ed Atkins
Installation view, Entropy of a biased coin, Cabinet, London, 3 December 2020 - 6 February 2021



 
Olde Food, Cabinet, London, 26 April – 2 June 2018
 
Installation View

Installation View

Installation View

Still from Untitled, 2018

Installation View

Still from Good Wine, 2017

Untitled, 2018, 2018, Laser etched text on wood 35.5 x 67.5 cm


Ed Atkins Untitled 2018 Indian ink & pencil on paper 69 x 59 cm



Ed Atkins Untitled 2018 Indian ink & pencil on paper 47 x 40 cm



Ed Atkins Untitled 2018 Indian ink & pencil on paper 47 x 40 cm



Ed Atkins Untitled 2018 Indian ink & pencil on paper 47 x 40 cm



Ed Atkins Untitled 2018 Indian ink & pencil on paper 47 x 40 cm



Ed Atkins Untitled 2018 Indian ink & pencil on paper 47 x 40 cm




Ed Atkins Untitled 2018 Indian ink & pencil on paper 40 x 47 cm




 

 
Ed Atkins, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli – Turin,
26 September 2016 – 29 January, 2017
 
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12_ED ATKINS @ Castello di Rivoli, Photo by Renato Ghiazza.jpg
 

 
Safe Conduct, SMK, Denmark, 17 March – 4 September 2016
 

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Recent Ouija, Stedelijk Museum, Amsterdam, February 21 – May 31, 2015 


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