The Swiss Institute is pleased to present Cloisters & Instruments, a solo exhibition by London-based artist Kobby Adi. The exhibition brings together a focused selection of newly commissioned works in the expanded field of film and sculpture.
The exhibition is centered upon Adi’s latest film, Cloisters (2023/24). The silent 16mm film depicts apples in various states of decay, shot on film stocks that are themselves in multiple states of deterioration. Viewers can encounter the film across three sites in London in different media formats: as a projection in The Swiss Institute’s gallery; and as film prints and DVDs that can be borrowed from local libraries and archives.
Other works in the exhibition spatially articulate The Swiss Institute’s building in ways that unsettle the hegemonic grammars of experimental art movements. Dispersed across all floors, All splashing and pouring (2024) is marked by uniform wall labels that detail the work’s title and specifications in The Swiss Institute’s institutional formatting, placed near locations where water does, or could potentially, spill.
Two works both titled Instrument (2024) feature polymeters (devices containing both a thermometer and hygrometer) that have been altered to have their measuring scales removed. Left blank with active dials, the sculptures remain mystically suggestive as to what or who is being measured and detected.
Through aesthetic strategies that are by turns critical and poetic as well as materialist and spiritual, Adi’s works disrupt and expand the spatiotemporal conditions determining the relations between the artwork, the viewer, and the site of encounter.
Photography: Mark Blower